Silence: What We Don't Talk About in Rehabilitation
Patricia
E. Deegan Ph.D.
Presented
at SKUR Conference, BODØ, Norway
June
14, 2005
Copyright
© Pat Deegan, PhD & Associates, LLC.
For permission to distribute please contact us.
Good
morning. Thank you for this opportunity to speak with you today. I really like
the title of this conference: Det Vi Ikke Snakker Om - What We Don't Talk
About in Rehabilitation. What a great subject for a conference! In the next
two days we will have the chance to explore silences. We will have the chance
to examine some of the things society and the rehabilitation professions don't
talk about, or prefer not to listen to.
I
think it is significant that we are having this conference about silences in
Bodo, above the Arctic Circle in Norway. Ever since I was a young girl, I have
dreamed of coming to the Arctic. As a young girl, I would imagine myself
standing utterly alone on a flat, frozen landscape of ice and bright light. In
my mind's eye I was always a tiny red spec in a white ice field, wearing a red
hooded jacket that fluttered like a Buddhist prayer flag against the summits.
I would imagine that perhaps I was the first and only human to have stood on
that precise spot. And as I imagined myself standing on that ice field, the
thing I most wondered about was what the silence of that place sounded like.
What does arctic silence sound like? What is the sound of a silence so vast
and pristine and still? What is the sound of arctic silence, with me standing
in the midst of it, unspeaking, beholding, and being held (beheld) by it?
Surely, I imagined, such a silence would be a good and wondrous thing. At
church I had heard the psalm (46:10) where God said, "Be still and know
that I Am". Even as a girl I wanted to know that stillness and that
silence.
I
never did get to the Arctic as a child. Instead, the silence I imagined in my
childhood was shattered when, at the age of 17, I experienced the onslaught of
distressing voices, or what clinicians call auditory hallucinations. I
remember exactly where I was when the distressing voices started. I was a
passenger in the front seat of a car that was going down a highway with a lot
of curves on it. As each new curve loomed in front of me, a voice would hiss,
"Watch out. It's coming." My stomach would clench, a terror would
come over me, the car would round the curve and approach the next one. Again a
voice would curse, "Killing. Spilling. Watch out it's coming". I
remember looking around to see where these voices were coming from, but I
could not see who was speaking the words. However, I did notice that everyone
else in the car seemed unperturbed, as if they were just listening to the
radio. Soon after, I began to notice that instead of being upset by these
terrible voices, all the people in the car were glancing sideways at me with
their lips turned up in barely disguised snarls. Were they part of it? Were
they part of what was coming? What was coming? What did the voices mean? I
yelled for the driver to pull over to the side of the highway, stumbled out of
the car and vomited as the voices laughed at me.
Following
two weeks of such torment, I was locked in a psychiatric institution and
diagnosed with schizophrenia. After a brief interview with a psychiatrist, I
was taken to a room and injected with an antipsychotic drug called
haloperidol. When I awoke from that drug-induced stupor, I could barely
recognize myself. My tongue was thick. My vision was blurred. Saliva drooled
and leaked down my face. The medication made it hard to swallow, so food
spilled and soiled my shirt. I began to smell of last night's supper. Just
weeks before I had been a strong athlete who excelled in sports. Now I was in
a chemical straightjacket. I moved stiffly and slowly, as if some old woman
had crawled into my body and my bones were nothing but arthritic crutches,
propping me up against the wall of a mental institution.
Drugged
on haloperidol I could not feel anything. I did not care about anything. I
could not smile or laugh or cry or think. In the distance I could still hear
the auditory hallucinations, but they had lost their power to grab my innards
and shake me to attention. They drummed like a dull ache in the background and
were easy to ignore. Everything and everyone else were also easy to ignore,
because I cared about nothing and felt nothing. I had been muted. I had become
the muted body. I had been silenced – erased and disappeared under the tyranny
of those small green pills.
It is
widely assumed that anti-psychotic drugs are helpful because they suppress
psychosis and restore one to a more familiar sense of self. In my experience,
antipsychotic drugs at these high dosage levels were not helpful. Haloperidol
did not return me to a non-psychotic, more familiar self. Rather, it delivered
me into a negation of myself, an absence, a silenced echo of my former self.
Haloperidol
replaced me with the drugged-me. And worst of all, the professionals kept
telling me how good this medication was for me. They kept telling me I would
have to take this medicine for the rest of my life. They said I should be
grateful modern psychiatry had a medicine that could so quickly restore my
functioning. The psychiatrist said my hallucinations and delusions were gone.
The symptoms were abating he said. I was more in control and I was stabilizing
he said. From my perspective, however, things appeared quite different. I did
not feel better. The so-called hallucinations were still there although they
were no longer a bother to the people around me. I was not more in control but
rather, I felt controlled by the medication. I was not stabilizing. Rather I
was becoming a shadow of my former self, unable to think or feel. I was not
beginning to function. Instead, I was learning to play the game in order to
get discharged from that institution as soon as possible. I was not grateful
for this medicine. I was not grateful for this help. As far as I was
concerned, this help was not helpful.
What
I am describing here is a clash of perception between the psychiatrist and
myself. This chart summarizes some of the main points of that clash of
perception:
Table 1: The Clash of Perception
Psychiatrist
|
Me
|
You
are getting better
|
Your
cure is disabling me
|
Your
symptoms are gone
|
My
symptoms no longer bother you
|
You
are more in control
|
Haloperidol
is controlling me
|
You
are stable
|
I
can’t think or feel
|
You
are functioning again
|
My
life is without meaning or passion
|
It is
important to remember that this clash of perceptions I am describing went
largely unspoken and unacknowledged. The psychiatrist and I did not sit down
and have a thorough discussion of our divergent perspectives. It is also
important to see there is a terrible power imbalance here. This clash of
perception occurred between a psychiatrist and myself during one of my most
vulnerable times. Because of his enormous power in relation to me, the
psychiatrist's interpretation of me became the only valid story. His story
about me became the truth and my story, my experience and my voice were
silenced. What I am describing, therefore, is a double silencing. The first
silencing was imposed by a therapy (haloperidol) that muted me. The second
silencing was imposed when my experience of the therapy was ignored and the
professional's interpretation of the outcome of therapy was prescribed as the
only truth.
The
silencing I am describing is not confined to people with psychiatric
disabilities. Silencing people with disabilities through the assertion of the
expert's professional opinion occurs routinely. It is not uncommon for an
expert to declare that a person is making good progress in a sheltered
workshop while the person with the disability feels like a failure because
they are not working a real job. It is not uncommon for a rehabilitation
specialist to applaud the progress a child is making in speech therapy,
although the child is quite clear they are tired of all the therapy and would
rather play with kids in the neighborhood after school. In these and thousands
of other instances, the professional's interpretation becomes the official
story while the stories, the voices and the experiences of disabled people are
silenced.
Who
gets to say if a therapy is working? Whose directives are followed and whose
are silenced? Who gets to say if professional help is helpful? I would propose
that help which ignores the perspective and autonomy of the person with a
disability is toxic help. Toxic help is, at best, a waste of time, money and
resources and, at worst, toxic help hurts and may even kill.
Help,
and in particular toxic help, is not a topic that is discussed often in
professional rehabilitation cultures. The nature of help is one of those
topics about which we are often silent because we are too busy being helpful
to stop to talk about it. But we must break that taboo. We must dare to talk
about help because power, including the power to oppress, often disguises
itself as help. Power-disguised-as-help is used to silence disabled people.
Paolo Freire (1989) says that oppressive power submerges the consciousness of
the oppressed into a culture of silence. Toxic help oppresses and silences
people with disabilities. Just like the oppressive silencing I experienced
with the psychiatrist, those of us with disabilities have been the recipients
– whether willing or unwilling – of a lot of toxic help. We have become
experts at seeing oppressive power cloaked in the disguise of help. * From
that silence has emerged the irreverent and emancipated voice of people with
disabilities or, as we call ourselves, the dis-labled:
Perhaps
one of the most fundamental critiques that the disability community makes
about toxic help is that it is not unusual to find ourselves completely
surrounded by helpers yet still unable to find help. Cartoonist and disability
activist Scott Chambers (2000) captures the irony many disabled people
experience, that is, the irony of drowning in rehabilitation help that is
unhelpful.
*Scott
Chambers calls this piece, "Tested and Proven Methods of Drowning in
Help". * In this first cartoon strip, we see a person in the water who
looks pretty distressed. He is calling out "Help!". Next we see the
person looking up into the air only to discover that a wheelchair has been
thrown to him. In the next slide we see that the wheelchair, having landed on
the man's head, is now sinking along with the man, to the bottom of the sea.
*In
the second comic strip we see a man who is also looking distressed,
floundering in the sea, and calling out "Help!". Next we see the man
looking up into the sky with a smile on his face. Paper money is floating down
from the sky. In the final scene we see the man has once again drowned in the
sea, with the paper money floating on the surface above him.
*The
final cartoon in this series once again shows a distressed person in the sea,
crying out "Help!". This time help comes in the form of a gigantic,
heavy book that has the title, "Report on Drowning." The report on
drowning comes flying down from the sky and the heavy book hits the man on the
head, drowning him under the water while the report on drowning floats above
him.
*The
moral of this cartoon story is clear: *There are too many reports on drowning
and not enough life preservers! That is, *Help isn't help if it's not helpful.
*Help that is not helpful can actually do harm. *Being helpful requires that
professionals ask us what we need. But asking is never enough. Professionals
must also listen to what we say. In this way *help becomes something that is
co-created between the disabled person and the professional. When help is
co-created as an explicit agreement between the professional and the
individual, then silencing is avoided.
Pasted
from <https://www.patdeegan.com/pat-deegan/lectures/silence>
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